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Un monde sans copyright... et sans monopole
Bibliographie


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‹›   Drahos, P. & Mayne, R. (2002), Global Intellectual Property Rights. Knowledge, Access and Development.  New York : Palgrave Macmillan and Oxfam.
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‹›   Florida, R. (2004), The Rise of the Creative Class. And How It’s Transforming Work, Leisure and Everyday Life.  London : Basic Books.
‹›   Florida, R. (2005a), Cities and the Creative Class.  London : Routledge.
‹›   Florida, R. (2005b), The Flight of the Creative Class. The New Global Competition for Talent.  New York : Harper Business.
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‹›   Hesmondhalgh, D. (2006), Media Production.  Maidenhead : Open University Press.
‹›   Hisrich, R.D. & Peters, M.P. (2002), Entrepreneurship.  Boston : McGraw-Hill.
‹›   Hoskins, C., McFadyen, S. & Finn, A. (2004), Media Economics. Applying Economics to New and Traditional Media.  Thousand Oaks and London : Sage.
‹›   Howe, J. (2008), Crowdsourcing. Why the Power of the Crowd Is Driving the Future of Business.  New York : Crown Business.
‹›   Keen, A. (2007), The Cult of the Amateur. How Today’s Internet is Killing Our Culture.  New York : Doubleday.
‹›   Klein, N. (2007), The Shock Doctrine. The Rise of Disaster Capitalism.  New York : Penguin.
‹›   Klein, N. (2008), La stratégie du choc. La montée d'un capitalisme du désastre.  Paris : Lemeac, Actes Sud.
‹›   Kretschmer, M. (1999), “Intellectual Property in Music: A Historical Analysis of Rhetoric and Institutional Practices, special issue Cultural Industry”, dans : Studies in Cultures, Organizations and Societies 6, pp. 197–223.
‹›   Kretschmer, M. & Friedemann, K. (2004), The History and Philosophy of Copyright, dans : Frith, S. & Marshal, L. (eds.). Music and Copyright. Edinburgh : Edinburgh University Press, pp. 21–53.
‹›   Lane, C. & Bachmann, R. (eds.), (2001), Trust Within and Between Organizations. Conceptual Issues and Empirical Analysis.  Oxford : Oxford University Press.
‹›   Lessig, L. (2002), The Future of Ideas. The Fate of the Commons in a Connected World.  New York : Vintage.
‹›   Lessig, L. (2004), Free Culture. How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity.  New York : Penguin.
‹›   Lessig, L. (2005), L'avenir des idées. Le sort des biens communs à l'heure des réseaux numériques.  Lyon : Presses Universitaires de Lyon, http://presses.univ-lyon2.fr/livres/pul/2005/avenir-idee/xhtml/index-frames.html.
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‹›   Lewinski, S.v. (2002), Indigenous Heritage and Intellectual Property. Genetic Resources, Traditional Knowledge and Folklore.  The Hague : Kluwer Law International.
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‹›   Lovink, G. & Niederer, S. (eds.), (2008), Responses to YouTube.  Amsterdam : Institute of Network Cultures.
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‹›   Malm, K. (1998), Copyright and the Protection of Intellectual Property in Traditional Music.  Stockholm : Musikaliska akademien.
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‹›   McChesney, R.W. (1999), Rich Media, Poor Democracy. Communication Politics in Dubious Times.  Urbana and Chicago : University of Illinois Press.
‹›   McChesney, R.W. (2007), Communication Revolution. Critical Junctures and the Future of Media.  New York : The New Press.
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‹›   Nestel, J., Pasquini, M. & collectif d'auteurs (2009), La Bataille Hadopi.  Paris : In Libro Veritas.
‹›   Netanel, N.W. (2008), Copyright’s Paradox.  Oxford : Oxford University Press.
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